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...our Chatman (Story and Discourse: Narrative Structure in [[Fiction]] and [[Film]], 1978); Roland Le Huenen and Paul Perron, who examine in detail the semio ...s important contributions to the semiotic analysis of texts, especially of film texts. De Lauretis problematizes the earlier structural models that conside

...fifty feature [[films]] in a career spanning six decades, from the silent film era, through the invention of talkies, to the color era. Hitchcock remains ...theory]], which stresses the artistic [[authority]] of the director in the film-making [[process]].

...ght, thereby frustrating his own father's plans to [[sabotage]] it. In the film's climax, during one of the nightly confrontations between the father and t ...young [[girl]] is framed in a [[mirror]] as if in a picture of the Virgin Mary, a young child is a cherub, a statue of the crucified [[Christ]] is held as

...ts of the killed Palestinians are the very survivors of the holocaust (the film plays with the fact that the living dead in the camps were called Muslims, ...rt: a classical painting of Mary and the baby Christ, but with a twist – Mary holds in her lap a rat instead of the baby Christ. The point of this parall

...t they had descendants, that the [[true]] [[identity]] of the [[Grail]] is Mary’s vagina). The Vatican especially rued that the book is so popular among And — back to the <i>[[Revenge of the Sith]]</i> — the price for the film’s sticking to these same New Age motifs is not only its [[ideology|ideolo

<b>EDR</b>: No, I haven't seen <i>Leap of Faith</i>, but the [[film]] illuminates the Kierkegaardian [[distinction]] between belief as faith ve ...azi. Sorry, but the guy who co-wrote the scenario for her best known early film, <i>Das Blaue Licht</i>, Béla Balázs was a [[Communist]]. [Chuckles]. Now

...of [[thought]] to its conclusion saying "we [[need]] more [[people]] with Mary Kay's stance in today's [[politics]]." ...d of inconceivable acts, are still possible today and that the [[case]] of Mary Kay Letourneau proves it. Amidst a cacophony of cheers, giggles and claps a

...êla Balázs, the guy who co-wrote the scenario for her best known early [[film]], Das Blaue Licht, was a [[Communist]]. Now, [[liberals]] have an answer t Even before the [[French]] [[Revolution]], Mary Wollstonecraft said, "Why not also we [[women]]?" Human rights triggered th

[[Film]] [[Theory]] and Criticism: 2. May [[1968]] and Beyond ...d of academic study in the postwar era and reflective of the huge shift in film theory and criticism that took [[place]] as a result of [[structuralist]]/s

...ass="s3" dir="ltr" | Contemporary Theory Series - Lacan and Contemporary [[Film]] | class="s5" dir="ltr" | The [[Real]] [[Gaze]]: Film Theory After Lacan,

http://www.mailbase.ac.uk/lists/film-philosophy/files/speck.html into the discourse of [[film]] theoreticians as a means of analyzing ...

...rorizing them so that they get free and rebel? This is the lesson that the film fails to draw: the Chestertonian lesson of the ultimate IDENTITY between V ...f resistance. <ref>Brian Massumi, "Navigating Movements," in ''Hope'', ed. Mary Zournazi, New York: Routledge 2002, p. 224.</ref>

...d have put it in <i>The Matrix</i>, a film much appreciated by Badiou, the film in which one also finds a precise account of the need, evoked by Badiou, to #Brian Massumi, "Navigating Movements," in <i>Hope</i>, ed. Mary Zournazi, New York: Routledge 2002, p. 224.<br><br>

...ass="s3" dir="ltr" | Contemporary Theory Series - Lacan and Contemporary [[Film]] | class="s5" dir="ltr" | The [[Real]] [[Gaze]]: Film Theory After Lacan,

| Contemporary Theory Series - Lacan and Contemporary Film | The Real Gaze: Film Theory After Lacan,

...a water tank, with a padlock on the latch that prevents his escape. At the film's end, the mortally wounded Angier reveals his secret to Borden: each time ...hrowing a squashed bird into a trash bin―the boy was indeed correct. The film describes the three stages of a magic performance: the setup, or the "pledg

...Mary Magdalene to go to the tent where Christ was resting and seduce him; Mary said she will do it gladly and went in, but five minutes after, she run out # Jela Krečič, "Philosophy, Fantasy, Film" (Ph.D. diss., University of Ljubljana, 2008).