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...fifty feature [[films]] in a career spanning six decades, from the silent film era, through the invention of talkies, to the color era. Hitchcock remains ...theory]], which stresses the artistic [[authority]] of the director in the film-making [[process]].

...d]] is the attitude of [[overinterpretation]]: everything in a Hitchcock [[film]] has to have a [[meaning]], there are no contingencies, so that when somet ...vulnerable. It is as if these hints lay the ground for the very end of the film, when we learn, from the legend on the [[screen]], that, afterwards, one of

.../i>. When, in the [[love]] [[scene]] in the barn towards the end of the [[film]], Scottie passionately embraces Judy refashioned into the [[dead]] Madelei

...ready written by the standard couple Livingstone-Evans? And, what if the [[film]] had been released with the extended ending, the additional short [[scene]

...tnesses occasionally recount their [[memories]] later on, a [[helpless]] [[film]] or [[narrative]], as [[tragic]] as what they saw, with the distance that ...rousel horses are not the only things in the world for giving an idea of [[vertigo]]) finds the wherewithal to [[satisfy]] (satisfy: a category of the imagina

...University of Ljubljana, uses close readings of scenes from Hitchcock’s Vertigo to explore concepts of the Gaze, Otherness, Culture, Identity, and what in ...know he published a wonderful essay on Vertigo, I will mostly speak about Vertigo, and not to be too boring, I hope that I can presuppose, presume that most

...we are dealing with is a case of homosexual love for the transvestite? The film is simply dishonest, and refuses to acknowledge this obvious fact… This e ...this would have been simply a case of madness. The ethical beauty of the film is that, although the petty thief knows very well till his bitter end who h

...radox deployed by Jean-Pierre Dupuy in his admirable text on Hitchcock's ''Vertigo'': ...is changed so that it loses ''objet a''. What Scottie first experiences in Vertigo is the ''loss ''of Madeleine, his fatal love; when he recreates Madeleine i