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• Myth of Origins
  ...o]]: "The violent primal father had doubtless been the feared and envied [[model]] of each one of the company of brothers: and in the act of devouring him t ...and Taboo," to constitute "the beginnings of religion, morals, society and art" (p. 156) and also "the nucleus of all neuroses" (p. 157). He was later led
  10 KB (1,456 words) - 19:42, 20 May 2019
• Defense mechanism
  ...e [[biological]] id impulses comes from [[Sigmund Freud]]’s [[structural model]]. Id impulses are based on the [[pleasure principle]]: instant [[gratifica ...transforming [[libido]] into ‘[[social]] useful’ achievements, mainly art. [[Psychoanalysts]] often refer to sublimation as the only truly successful
  18 KB (2,618 words) - 21:44, 27 May 2019
• Hallucination as Ideology in Cinema
  ...Stalingrad ideology, let us therefore turn to a totally different form of art: Hans Hotter's outstanding 1942 recording of Schubert's "Winterreise" (now ...iodmak in 1942) -- interestingly, all of them made in the same period. The model of all these stories is an event which allegedly occurred during the Paris
  33 KB (5,521 words) - 23:09, 24 May 2019
• Goya
  ...e]] element in his art, as well as his bold handling of paint provided a [[model]] for the work of later generations of artists, notably Manet and [[Picasso
  867 bytes (129 words) - 08:44, 24 May 2019
• Germany
  ...Sigmund Freud]] the [[Goethe]] Prize in 1930. It was also well received in art (though the mediation of Otto Gros, who was part of the [[action]] group th ...ade [[legal]] recognition of psychotherapy possible. In 1960 the "Munich [[model]]" was instituted; this [[system]] involved the sharing of medical expenses
  27 KB (3,702 words) - 08:33, 24 May 2019
• Stalinism
  ...ed was their own version of the old Oriental insight "ta twam atsi" ("thou art that")... This accepted wisdom - which, let me [[state]] it clearly, cannot It would be interesting to re-read, from this perspective, the [[model]] post-WWII Soviet textbooks on [[dialectical]] [[materialism]], Mark Rozen
  60 KB (9,765 words) - 23:51, 20 May 2019
• Index:Parallax View
  * [[art]] 147 * [[self-model]] 214-216
  10 KB (810 words) - 00:25, 25 May 2019
• A Plea for a Return to Différance
  ...he [[fiction]], North Korea has built in front of this theater a fake, a [[model]] village with beautiful houses; in the evening, the lights in all the hous ...verybody which is different from the standard or hegemonic [[Anglo-Saxon]] model. Whatever you dislike about the latter, including the subaltern position it
  67 KB (10,603 words) - 17:16, 27 May 2019
• Creativity
  ...may not receive further elaboration and be transformed into a [[work]] of art, regardless of its specific [[nature]]. However, it is primarily Melanie [[ ...emains mysterious, to turn fantasies into a reality inscribed in a work of art and therefore something that can be shared with [[others]], that constitute
  5 KB (672 words) - 21:05, 27 May 2019
• Overview
  ...rn can be characterized is as an over-proximity of the Real. In postmodern art (or postmodernism0 Zizek identifies various manifestations of this, such as ...ailure of reality (the Symbolic) to account fully for the Real. While this model of the structure of reality does not allow us a position from which to assu
  39 KB (6,629 words) - 07:26, 5 June 2006
• Function of Language
  ...t rank of which would be language, marriage-rules, [[economic]] relations, art, science and [[religion]]. Lacan accepts almost without qualification the L ...n. He suggests that these two modes of symbolic representation provide a [[model]] for the [[understanding]] of [[psychic]] function. The concept of metapho
  85 KB (14,185 words) - 08:43, 24 August 2022
• Shakespeare and psychoanalysis
  ...[[theory]] to Shakespeare's [[texts]]: dream theory, the [[structural]] [[model]], [[incest]] [[fantasies]], [[primal]] [[scene]] fantasies, and the symbol ...nst [[Kris]]'s essay, "Prince Hal's Conflict" (Faber, 1970) has remained a model of sophistication. Integrating elements of the play's [[language]], charact
  8 KB (1,081 words) - 23:06, 20 May 2019
• Science and psychoanalysis
  ...e]] sexual investigation. Freud raised science to the level of a perfect [[model]] of the [[renunciation]] of the [[pleasure]] [[principle]]. ...cial]] science. Throughout his work he manifested this oscillation between art and science, which he discovered that he shared with [[Leonardo]] [[da Vinc
  8 KB (1,224 words) - 22:40, 20 May 2019
• Cinema
  ...], the [[repression]] of an [[infantile]] [[trauma]]. In most cases, the [[model]] used, at least implicitly, is based on the <i>Studies on [[Hysteria]]</i> ...ourage, and [[society]]. <i>The Cobweb</i> (Vincente Minelli, 1955) is the model for this type of exposition. In the film Richard Widmark, a psychoanalyst [
  17 KB (2,666 words) - 03:57, 24 May 2019
• Myth of origins
  .../i>: "The violent primal father had doubtless been the feared and envied [[model]] of each one of the company of brothers: and in the act of devouring him t ...and Taboo," to constitute "the beginnings of religion, morals, society and art" (p. 156) and also "the nucleus of all neuroses" (p. 157). He was later led
  10 KB (1,462 words) - 19:42, 20 May 2019
• Case of Aimée
  ...hools]] of psychiatry of the [[time]]. The [[French]] [[school]] was his [[model]] because of the high quality of its observation and because of its eleganc ...]] well beyond psychiatry. The spirit of the [[times]] saw [[links]] among art, [[madness]], and psychoanalysis. The dreams related by André [[Breton]] i
  13 KB (1,870 words) - 19:53, 27 May 2019
• Mythème
  ...etation]] explaining the relation of myth to [[history]], [[religion]] and art, and the problematic rapport between myth and [[belief]]. Mircea Eliade exa Lévi-Strauss bases his analysis of myth on the linguistic [[model]] set forth by such structural [[linguists]] as Roman [[Jakobson]], who in
  12 KB (1,736 words) - 19:43, 20 May 2019
• Traditional Freudian Criticism
  ...mples of this style of criticism (still in practice) refuse to subordinate art to neurosis and deploy the tools of psychoanalysis to explore precise terms ...ist," which he presented to Freud in 1905, Rank maintained his interest in art throughout his life. The Myth of the Birth of the Hero (1909)is a remarkabl
  15 KB (2,226 words) - 04:51, 13 July 2006
• Film Theory and Criticism
  ...ously industrial [[practice]], [[technology]], sociocultural artifact, and art. Attempts to combine auteurism with the theoretical rigor of [[structuralis ...unds the inability of classical film theory to suffice as an explanatory [[model]]. This, by implication, opened the door to the theorization of other kinds
  38 KB (5,523 words) - 07:26, 24 May 2019
• Linguistics and Language
  ...[[poststructuralism]] and [[deconstruction]] in the general conception of art-as-sign, here with an emphasis on the [[contingency]] and artificiality of ...age but to literature and other [[cultural]] practices as well (Aesthetic, Art).
  38 KB (5,148 words) - 01:00, 26 May 2019

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