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We still [[exist]] in the [[Real]] but not in the [[Symbolic]].
The gap between the [[Two Deaths|two deaths]], Žižek argues, can be filled either by manifestations of the [[monstrous]] or the [[beautiful]].
For example, in ''[[Hamlet]]'', the play by [[William Shakespeare]], [[Hamlet]]'s [[father]] is [[dead]] in the [[Real]].
However, he persists as a terrifying and [[monstrous]] [[apparition]] because he was [[murder]]ed and thereby cheated of the [[chance]] to settle his [[Symbolic]] debts.
