Difference between revisions of "Cinema and Psychoanalysis"
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| − | As contemporaries, cinema and psychoanalysis both reveal, in their own way, mankind's complex personality. The interior dramas that psychoanalysis brings to light can be experienced within the "other scene" of cinematic fiction. The similarity of certain terms and the occasional apparent resemblances between the two techniques encourage spontaneous comparisons: During psychoanalysis the subject is confronted with fantasized "representations" and can identity with "projected" characters. And we often speak of "dream screens." | + | As contemporaries, [[cinema]] and [[psychoanalysis]] both reveal, in their own way, mankind's [[complex]] [[personality]]. The interior dramas that psychoanalysis brings to light can be experienced within the "[[other]] [[scene]]" of cinematic [[fiction]]. The similarity of certain [[terms]] and the occasional [[apparent]] resemblances between the two techniques encourage spontaneous comparisons: During psychoanalysis the [[subject]] is confronted with fantasized "representations" and can [[identity]] with "projected" characters. And we often [[speak]] of "[[dream]] screens." |
[[Category:Culture]] | [[Category:Culture]] | ||
[[Category:Psychoanalysis]] | [[Category:Psychoanalysis]] | ||
[[Category:Film]] | [[Category:Film]] | ||
Latest revision as of 03:58, 24 May 2019
As contemporaries, cinema and psychoanalysis both reveal, in their own way, mankind's complex personality. The interior dramas that psychoanalysis brings to light can be experienced within the "other scene" of cinematic fiction. The similarity of certain terms and the occasional apparent resemblances between the two techniques encourage spontaneous comparisons: During psychoanalysis the subject is confronted with fantasized "representations" and can identity with "projected" characters. And we often speak of "dream screens."
