Difference between revisions of "Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)"

From No Subject - Encyclopedia of Psychoanalysis
Jump to: navigation, search
(The LinkTitles extension automatically added links to existing pages (https://github.com/bovender/LinkTitles).)
 
Line 4: Line 4:
 
[[Image:Everything.You.Always.Wanted.To.Know.About.Lacan.jpg|300px|right]]
 
[[Image:Everything.You.Always.Wanted.To.Know.About.Lacan.jpg|300px|right]]
  
'A modernist work of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: 'you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and ''sinthom''/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you've totally missed the point!' if there is an author whose name epitomises this interpretive pleasure of 'estranging' the most banal content, it is Alfred Hitchcock (and - useless to deny it - this book partakes unrestrainedly in this madness).'  
+
'A modernist [[work]] of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a [[trauma]] which undermines the complacency of our daily routine and resists [[being]] integrated. What [[postmodernism]] does, however, is the very opposite: it [[objects]] par excellence are products with mass appeal; the aim of the postmodernist [[treatment]] is to estrange their initial homeliness: 'you [[think]] what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the [[difference]] between [[symptom]] and ''sinthom''/the [[structure]] of the Borromean [[knot]]/the fact that [[Woman]] is one of the Names-of-the-[[Father]] ... you've totally missed the point!' if there is an [[author]] whose [[name]] epitomises this interpretive [[pleasure]] of 'estranging' the most banal [[content]], it is Alfred [[Hitchcock]] (and - useless to deny it - this book partakes unrestrainedly in this [[madness]]).'  
  
Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of 'postmodern' defamiliarization.  Starting from the premise that 'everything has meaning', the films' ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychic mechanisms at work.  But Hitchcock is here also a bait to lure the reader into 'serious' Marxist and Lacanian considerations on the construction of meaning.  Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.
+
Hitchcock is placed on the [[analyst]]'s couch in this extraordinary volume of [[case]] studies, as its contributors bring to bear an unrivalled enthusiasm and [[theoretical]] sweep on the entire Hitchcock oeuvre, from [[Rear Window]] to [[Psycho]], as an exemplar of '[[postmodern]]' defamiliarization.  Starting from the premise that 'everything has [[meaning]]', the [[films]]' ostensible [[narrative]] content and [[formal]] procedures are analysed to reveal a rich proliferation of [[ideological]] and [[psychic]] mechanisms at work.  But Hitchcock is here also a bait to [[lure]] the reader into 'serious' [[Marxist]] and [[Lacanian]] considerations on the [[construction]] of meaning.  Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.
  
 
=====Product Details=====
 
=====Product Details=====
 
{| style="width:100%; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"
 
{| style="width:100%; border:1px solid #aaa;text-align:left; line-height:2.0em; padding-left:10px;"
|width="100%"| [[Everything You Always Wanted Yo Know About Lacan (But Were Afraid To Ask Hitchcock)]]. [[Slavoj Žižek]], Editor. London; New York: Verso, 1992. Paperback, 279 pages, Language: English, ISBN: 0860915921. <small>Buy it at [http://www.amazon.com/exec/obidos/ASIN/0860915921/nosubject-20/ Amazon.com], [http://www.amazon.ca/exec/obidos/ASIN/0860915921/nosub07-20/ Amazon.ca], [http://www.amazon.de/exec/obidos/ASIN/0860915921/nosub-21/ Amazon.de], [http://www.amazon.co.uk/exec/obidos/ASIN/0860915921/nosubjencyofl-21/ Amazon.co.uk] or [http://www.amazon.fr/exec/obidos/ASIN/0860915921/nosub04-21/ Amazon.fr].</small>
+
|width="100%"| [[Everything You Always Wanted Yo Know About Lacan (But Were Afraid To Ask Hitchcock)]]. [[Slavoj Žižek]], Editor. [[London]]; New York: Verso, 1992. Paperback, 279 pages, [[Language]]: [[English]], ISBN: 0860915921. <small>Buy it at [http://www.amazon.com/exec/obidos/ASIN/0860915921/nosubject-20/ Amazon.com], [http://www.amazon.ca/exec/obidos/ASIN/0860915921/nosub07-20/ Amazon.ca], [http://www.amazon.de/exec/obidos/ASIN/0860915921/nosub-21/ Amazon.de], [http://www.amazon.co.uk/exec/obidos/ASIN/0860915921/nosubjencyofl-21/ Amazon.co.uk] or [http://www.amazon.fr/exec/obidos/ASIN/0860915921/nosub04-21/ Amazon.fr].</small>
 
|}
 
|}
  
 
{{CBBSZ}}
 
{{CBBSZ}}

Latest revision as of 06:56, 24 May 2019

Books by Slavoj Žižek

Book Description
Everything.You.Always.Wanted.To.Know.About.Lacan.jpg

'A modernist work of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: 'you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and sinthom/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you've totally missed the point!' if there is an author whose name epitomises this interpretive pleasure of 'estranging' the most banal content, it is Alfred Hitchcock (and - useless to deny it - this book partakes unrestrainedly in this madness).'

Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of 'postmodern' defamiliarization. Starting from the premise that 'everything has meaning', the films' ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychic mechanisms at work. But Hitchcock is here also a bait to lure the reader into 'serious' Marxist and Lacanian considerations on the construction of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.

Product Details
Everything You Always Wanted Yo Know About Lacan (But Were Afraid To Ask Hitchcock). Slavoj Žižek, Editor. London; New York: Verso, 1992. Paperback, 279 pages, Language: English, ISBN: 0860915921. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.