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Fool

1,073 bytes added, 02:49, 21 June 2006
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It was noted then that, for a long time now, there have been left-wing intellectuals and right-wing intellectuals. I would like to give you formulas for them that, however categorical they may appear at first sight, might nevertheless help to illuminate the way.
"Fool" (''sot'') or, if you like, "simpleton" (demeurE''demeuré'') - quite a nice term for which I have a certain fondness - these words only express approximately a certain something for which the English language and its lterature seem to me to offer a more helpful signifier - I will come back to this later. A traidtion that begins with Chaucer, but which reaches its full dvelopment in the theater of the Elizabethan period is, in effect, centered on the term 'fool'.<ref>In this and subsequent passages, the words 'fool' and 'knave' along with 'foolery' and 'knavery' in quotation marks are in English in the original.</ref>
The 'fool' is an innocent, a simpleton, but truths issue from his mouth that are not simply tolerated but adopted, by virtue of the fact that this 'fool' is sometimes clothed in the insignia of the jester. And in my view it is a similar happy shadow, a similar fundamental 'foolery,' that accounts for the importance of the left-wing intellectual.
And I contrast this with the designation for that which the same tradition furnishes a strictly contemporary term, a term that is used in conjunction with the former, namely, 'knave' - if we have the time, I will show you the texts, which are numerous and unambigious.
At a certain level of its usage 'knave' may be translated into French as ''valet'', but 'knave' goes further. He's not a cynic with the element of heroism implied by that attitude. He is, to be precise, what Stendhal called an 'unmitigated scoundrel.' That is to say, no more than your Mr. Everyman, but your Mr. Everyman with a greater strength of character.
 
Everyone knows that a certain way of presenting himself, which constitutes part of the ideology of the ring-wing intellectual, is precisely to play the role of what he is in fact, namely, a 'knave'. In other words, he doesn't retreat from teh consequences of what is called realism; that is, when required, he admits he's a crook.<ref>{{S7}} p.182-3</ref>
 
 
==See Also==
* [[knave]]
* [[intellectual]]
* [[left]]
* [[right]]
* [[academia]]
==References==
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