Difference between revisions of "Opera's Second Death"

From No Subject - Encyclopedia of Psychoanalysis
Jump to: navigation, search
Line 16: Line 16:
 
of a demanding Lacanian theorem.
 
of a demanding Lacanian theorem.
 
[[Category:Works]]
 
[[Category:Works]]
[[Category:Books]]
+
[[Category:Slavoj Žižek]]
[[Category:Žižek]]
 
 
[[Category:Psychoanalysis]]
 
[[Category:Psychoanalysis]]

Revision as of 15:47, 18 May 2006

OperasSecondDeath.jpg

Žižek, S. and Dolar, M. (2002) Opera's Second Death, London and New York: Routledge. If Hitchcock's films are the most common source of examples in Žižek's books, Wagner's operas probably run them a close second. Picking up on this exemplary obsession and expanding his analysis of it from Tarrying with the Negative, Žižek here devotes half a book to the subject - the other half being Dolar's discussion of Mozart's operas. What is slightly unusual about this book is the subtle change of emphasis where, instead of using Wagnerian opera as a means to explain Lacanian theory, Žižek is more intent here on using Lacanian theory to explain Wagnerian opera. This perhaps makes the book a more relaxing read than the standard Žižekian work, as the reader is no longer fraught with the expectation that each example will have to bear the weight of a demanding Lacanian theorem.