Difference between revisions of "Projection"

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projection (projection)
 
Projection is a defence mechanism in which an internal desire/thought/feeling is displaced and located outside the subject, in another subject. For example a person who has been (or who feels) unfaithful to his partner may defend himself against feelings of guilt by accusing the partner of being unfaithful.
 
  
Whereas Freud and many other psychoanalysts use the term 'projection' to describe a mechanism which is present (to differing degrees) in both [[psychosis]] and neurosis, Lacan understands the term 'projection' as a purely neurotic mechanism and distinguishes it clearly from the apparently similar phenom- enon that occurs in [[Psychosis]] (which Lacan callS [[foreclosure]]). Whereas projection is rooted in the [[Imaginary]] dual relationship between the ego and the [[Counterpart]] (S3, 145), foreclosure goes beyond the [[Imaginary]] and instead involves a signifier which is not incorporated in the [[Symbolic]].
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[[Projection]] is a defence [[mechanism]] in which an [[internal]] [[desire]]]/[[thought]]/[[feeling]] is [[displace]]d and located [[outside]] the [[subject]], in another [[subject]].  
  
Lacan also rejects the view that INTROJECTION is the inverse of projection, arguing that these two processes are located on quite different levels. Whereas projection is an [[Imaginary]] mechanism, introjection is a [[Symbolic]] process (Ec, 655).
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For example a person who has been (or who feels) unfaithful to his partner may defend himself against [[feeling]]s of [[guilt]] by accusing the partner of being unfaithful.
  
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Whereas [[Freud]] and many other [[psychoanalyst]]s use the term '[[projection]]' to describe a [[mechanism]] which is present (to differing degrees) in both [[psychosis]] and [[neurosis]], [[Lacan]] understands the term '[[projection]]' as a purely [[neurotic]] [[mechanism]] and distinguishes it clearly from the apparently similar phenomenon that occurs in [[psychosis]] (which Lacan calls [[foreclosure]]).
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Whereas [[projection]] is rooted in the [[Imaginary]] [[dual relation]]ship between the [[ego]] and  the [[Counterpart]],<ref>{{S3}} p.145</ref> [[foreclosure]] goes beyond the [[Imaginary]] and instead involves a [[signifier]] which is not incorporated in the [[Symbolic]].
  
== def ==
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[[Lacan]] also rejects the view that [[introjection]] is the inverse of [[projection]], arguing that these two processes are located on quite different levels.
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Whereas [[projection]] is an [[Imaginary]] [[mechanism]], [[introjection]] is a [[Symbolic]] process.<ref>{{Ec}} p.655</ref>
  
Scapegoating. Cutting off what the super-ego perceives as "bad" aspects of oneself (e.g. weakness or homosexual desire) and projecting them onto someone else "over there" where they can be condemned, punished, etc..
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Cutting off what the [superego]] perceives as "bad" aspects of oneself (e.g. weakness or homosexual desire) and projecting them onto someone else "over there" where they can be condemned, punished, etc..
  
==deff==
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In a general sense, the term [[projection]] refers to the [[displacement]] of something from one space to another, or from one part of a single space to another.  
Projection
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More specifically, this term denotes an operation that consists of transporting a form, or certain elements of that form, onto a receptive support that may be real (as is the case with cinematographic projection) or imaginary (as is the case in projective geometry—for example, the projection of a cube onto a plane, which..
In a general sense, the term projection refers to the displacement of something from one space to another, or from one part of a single space to another (the Latin word projectio translates as "throw forward"). More specifically, this term denotes an operation that consists of transporting a form, or certain elements of that form, onto a receptive support that may be real (as is the case with cinematographic projection) or imaginary (as is the case in projective geometry—for example, the projection of a cube onto a plane, which..
 
  
 
Projection, 34, 46, 51, 54, 62,116,169, 199,200,203,204,227,228,240, 241,254 <ref>Muller, John P. and William J. Richardson. Lacan and Language: A Reader's Guide to Ecrits. New York: International Universiites Press, Inc., 1982.</ref>
 
Projection, 34, 46, 51, 54, 62,116,169, 199,200,203,204,227,228,240, 241,254 <ref>Muller, John P. and William J. Richardson. Lacan and Language: A Reader's Guide to Ecrits. New York: International Universiites Press, Inc., 1982.</ref>
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Revision as of 13:06, 21 June 2006

Projection is a defence mechanism in which an internal desire]/thought/feeling is displaced and located outside the subject, in another subject.

For example a person who has been (or who feels) unfaithful to his partner may defend himself against feelings of guilt by accusing the partner of being unfaithful.

Whereas Freud and many other psychoanalysts use the term 'projection' to describe a mechanism which is present (to differing degrees) in both psychosis and neurosis, Lacan understands the term 'projection' as a purely neurotic mechanism and distinguishes it clearly from the apparently similar phenomenon that occurs in psychosis (which Lacan calls foreclosure). Whereas projection is rooted in the Imaginary dual relationship between the ego and the Counterpart,[1] foreclosure goes beyond the Imaginary and instead involves a signifier which is not incorporated in the Symbolic.

Lacan also rejects the view that introjection is the inverse of projection, arguing that these two processes are located on quite different levels. Whereas projection is an Imaginary mechanism, introjection is a Symbolic process.[2]

Cutting off what the [superego]] perceives as "bad" aspects of oneself (e.g. weakness or homosexual desire) and projecting them onto someone else "over there" where they can be condemned, punished, etc..

In a general sense, the term projection refers to the displacement of something from one space to another, or from one part of a single space to another. More specifically, this term denotes an operation that consists of transporting a form, or certain elements of that form, onto a receptive support that may be real (as is the case with cinematographic projection) or imaginary (as is the case in projective geometry—for example, the projection of a cube onto a plane, which..

Projection, 34, 46, 51, 54, 62,116,169, 199,200,203,204,227,228,240, 241,254 [3]

References

  1. Lacan, Jacques. The Seminar. Book III. The Psychoses, 1955-56. Trans. Russell Grigg. London: Routledge, 1993. p.145
  2. Lacan, Jacques. Écrits. Paris: Seuil, 1966. p.655
  3. Muller, John P. and William J. Richardson. Lacan and Language: A Reader's Guide to Ecrits. New York: International Universiites Press, Inc., 1982.