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...'s account of [[Foucault|panopticism]]. Much of so-called "[[Lacan]]ian [[art|film theory]]" is thus the site of great [[conceptual]] confusion. * [[Optical model]]

This [[knot]] is not offered as a [[model]] but as a rigorously non-[[metaphorical]] description of a [[topology]] "b ...-the-Father]], [[Joyce]] managed to avoid [[psychosis]] by deploying his [[art]] as ''suppléance'', as a supplementary cord in the [[subject]]ive [[knot]

=====Positivist Model===== ...ms are not levelled at [[science]] per se, but at the [[science|positivist model]] of [[science]].

...Displacement Terrains from heightmaps], [[studiocompiler|StudioCompiler - Model/Texture Compiler/Decompiler]], [http://developer.valvesoftware.com/wiki/win * [http://forum.moddb.com/thread/4386/ Game Design Theory] - Interesting for art directors, team leaders

...contributions to the field bear on [[interpretation]], encyclopedia, and [[model]] reader. ...semiotic approach to the study of culture and established a communication model for the study of [[text]] semiotics. He also introduced the concept of the

...as a radical, emancipatory [[form]] of [[Marxian]] theory both from the [[model]] of science put forward by [[logical positivism]] and from what he and his ...alism]], to analyze works of [[culture]], including literature, [[music]], art, both "[[high culture]]" and "[[popular culture]]" or "mass culture." Thus

...rspective in reading their work. In this [[sense]], Barthes believed that art should be critical and interrogate the [[world]] rather than seek to explai ...and drove him deeper in his [[search]] for individualistic [[meaning]] in art.

...ny influential works on [[philosophy]], [[literature]], [[film]], and fine art. ...19). The machinic explains why Deleuze reveres the medium of film. In this art [[form]], for Deleuze, “gazes, [[images]], movements, and ultimately [[t

[[Jacques Lacan]] developed his own distinctive '[[structural]]' [[model]] of the [[Oedipus complex]]. ...s complex for Freud marks the origin of civilization, religion, morals and art.

...[[notorious]] "[[Sensation]]" exhibitions ARE the norm, the example of the art fully integrated into the establishment. ...in this way, one can indulge in the jargonistic [[analyses]] of the modern art, with the hidden assurance that one is somehow retaining the link with the

...collapse of the WTC towers as the climactic conclusion of the XXth century art's "passion of the real" — the "terrorists" themselves did it not do it pr ...of quite genuine ordinary people heroism (like the passengers who, in a [[model]] of [[rational]] ethical act, overtook the kidnappers and provokes the ear

...odern mass hysteria. Such a notion still relies on the "big Other," on the model of "normal" perception of shared social reality, and thus does not take int ...rk of art. In short, there is no Duchamp without Malevitch: only after the art practice isolates the frame/place as such, emptied of all its content, can

...another are to be violated in the seduction process? Is not the seducer's art to accomplish this violation properly, so that afterwards, by its acceptanc ...nding operation. For example, the classical example, which is for me the [[model]] of power: Let's take America in the '20s. You have Ku Klux Klan. It was t

...riticize our Western, decadent way of liberal democracy and who look for a model that would combine the dynamic of capitalism, while maintaining some firm t ...owded, you don't feel the pressure, even if you are physically close. This art of ignoring. In the New York subway, even when it's half full, you would ha

...s society of consumption. If God in the traditional sense as a universal [[model]] does not exist, then everything is allowed. You can get whatever you want ...a, very fashionable today, against this [[alienated]], Western, Protestant model we must return to more original ethnic wisdoms of old and so forth. This is

...Although (or, rather, for the very [[reason]] that) it is a kind of "Thou art that!" which articulates the very kernel of the subject's being, its assump ...tomatically gave rise to love. John Ruskin's formula, which followed the [[model]] of old Greek and Roman statues, led to a tragicomic disappointment when,

...any [[particular]] consistent multitude (e.g., [[French]] society, modern art): a situation is structured, and it is its [[structure]] which allows us to ..., and the subject of [[science]]. Badiou's four "generics of truth" (love, art, science, and politics) would seem to clearly parallel these four modalitie

...e of the notorious "[[Sensation]]" exhibitions are the norm, an example of art fully integrated into the establishment. ...survive. Against this temptation, one should rather follow the unsurpassed model of [[Pascal]] and ask the difficult question: how are we to remain faithful

...painter has to rely more and more on a vulgar couple of the cheap Cockney model Miss Churm and the lithe Italian Oronte, whose imitation of the high-class ...the fiction, North Korea has built in front of this theater a pure fake, a model village with beautiful houses; in the evening, the lights in all the houses

...for his [[future]] combat with Siegfrid (Hagen-boy plays with the small [[model]] of a dragon); etc. And Hagen is, together with Wotan and Alberich, the ke ...re overwhelmed European [[consciousness]] (in Charcot's [[clinic]], in the art from Ibsen to Schoenberg).

...ce [[German]] unification and the simple direct transposition of the BRD [[model]] on the DDR. What distinguishes Mueller is that he went much further than ...the people from itself, the unique case of "real life" differentiated from art by [[nothing]] more than an invisible, formal gap. The very fact that, in h

...fact that, although - in the Goethean lineage - Hamlet may appear as the [[model]] of the modern (introverted, brooding, indecisive) [[intellectual]], the m ...[transgressive]] character: [[ethics]] (in the premodern [[sense]] of the "art of [[living]]") is ultimately the ethics of moderation, of resisting the ur

...rréaliste de l'[[objet]]," Breton, 1935), and produced important works of art in every field. ...h the [[help]] of automatic writing and drawing. In creating a [[work]] of art, the [[artist]] would make the individual [[universal]] (Breton, 1935).

...h, William Sanderson, Brion James, Joe Turkel and Joanna Cassidy. The lead art designer was Syd Mead, and the soundtrack composer was Vangelis. ...h) a "basic [[pleasure]] [[model]]." Bryant also explains that the Nexus-6 model has a four-year lifespan as a failsafe against their developing unstable em

...s on politics (where their [[recent]] political [[life]] has served as a [[model]] of reasonable debate that avoids blind passions). ...o-called “[[symbolic class]]” (managers, journalists, [[academics]], [[art]]ists, etc.) that is also uprooted and that perceives itself as directly [[

...his supreme example of a truth-procedure‹event, and so on‹its implicit model is a kind of religious interpellation.  So no wonder that the best exa ...mehow for me interconnected.  Although I am also taking St. Paul as a model, a formal structure which can then be applied to revolutionary emancipatory

...t some spectacular sacrifice - you are obsessed with the idea of a work of art, and you risk everything, just to do it. You do it. There are people doing ...930s, of how all big systems - fascism, Stalinism - they approach the same model of total state control, blah, blah, blah, end of liberal capitalism. Then y

...odern mass hysteria. Such a notion still relies on the "big Other," on the model of "normal" perception of shared social reality, and thus does not take int ...rk of art. In short, there is no Duchamp without Malevitch: only after the art practice isolates the frame/place as such, emptied of all its content, can

...any [[particular]] consistent multitude (e.g., [[French]] society, modern art): a situation is structured, and it is its [[structure]] which allows us to ..., and the subject of [[science]]. Badiou's four "generics of truth" (love, art, science, and politics) would seem to clearly parallel these four modalitie

...Although (or, rather, for the very [[reason]] that) it is a kind of "Thou art that!" which articulates the very kernel of the subject's being, its assump ...tomatically gave rise to love. John Ruskin's formula, which followed the [[model]] of old Greek and Roman statues, led to a tragicomic disappointment when,

...ur Western, decadent way of [[liberal]] [[democracy]] and who look for a [[model]] that would combine the [[dynamic]] of [[capitalism]], while maintaining s ...owded, you don't feel the pressure, even if you are physically close. This art of ignoring. In the New York subway, even when it's half [[full]], you woul

years ago, I was editor of a small art-[[theoretical]] journal with a [[circulation]] of where they have the one-party [[model]]. Either right wing like in Croatia or [[left]]

...s society of consumption. If God in the traditional sense as a universal [[model]] does not exist, then everything is allowed. You can get whatever you want ...a, very fashionable today, against this [[alienated]], Western, Protestant model we must return to more original ethnic wisdoms of old and so forth. This is

...any [[human]] [[society]] and all human activities such as [[science]], [[art]], or [[philosophy]], are defined by their history, so that their [[essence ...s through the sum of dozens of interactions. Yet [[another]] contrasting [[model]] is the persistent metaphor of a [[social contract]]. Hegel sees the [[re

...s Shoreditch- is now home to artists and will house a new Museum of Modern Art. ...re, you go into the [[past]] and engender yourself." For Zizek this is the model for a self [[consciousness]] that [[exists]] as an [[event]] in time, for t

which was that my [[relationship]] with Slovene art, especially with Slovene apparatuses. The [[model]] of [[split]] subjectivity, as later echoed by Louis

...blem that becomes more apparent when the psychoanalytic 'act' is used as a model of political change.<br><br> ...o problem with<a name="55x"></a><a href="#55">⁵⁵</a> — into a model for political change.<br><br>

...and interventions: an essay on David Lynch, a long-time favourite, <i>The Art of the Ridiculous Sublime</i> (2000); a lecture series on the Polish direct ...99).) In other words, according to Zizek, what we witness in Kierkegaard's model of Christian authority, with its absolute emphasis on the physical presence

...he [[fiction]], North Korea has built in front of this theater a fake, a [[model]] village with beautiful houses; in the evening, the lights in all the hous ...verybody which is different from the standard or hegemonic [[Anglo-Saxon]] model. Whatever you dislike about the latter, including the subaltern [[position]

...ot some spectacular sacrifice. You are obsessed with the idea of a work of art, and you risk everything, just to do it. There are very few people who are ...in the 1930s, of how all big systems-fascism, Stalinism-approach the same model of total state control, blah, blah, blah, end of liberal capitalism. Then y

...o]]: "The violent primal father had doubtless been the feared and envied [[model]] of each one of the company of brothers: and in the act of devouring him t ...and Taboo," to constitute "the beginnings of religion, morals, society and art" (p. 156) and also "the nucleus of all neuroses" (p. 157). He was later led

...e [[biological]] id impulses comes from [[Sigmund Freud]]’s [[structural model]]. Id impulses are based on the [[pleasure principle]]: instant [[gratifica ...transforming [[libido]] into ‘[[social]] useful’ achievements, mainly art. [[Psychoanalysts]] often refer to sublimation as the only truly successful

...Stalingrad ideology, let us therefore turn to a totally different form of art: Hans Hotter's outstanding 1942 recording of Schubert's "Winterreise" (now ...iodmak in 1942) -- interestingly, all of them made in the same period. The model of all these stories is an event which allegedly occurred during the Paris

...e]] element in his art, as well as his bold handling of paint provided a [[model]] for the work of later generations of artists, notably Manet and [[Picasso

...Sigmund Freud]] the [[Goethe]] Prize in 1930. It was also well received in art (though the mediation of Otto Gros, who was part of the [[action]] group th ...ade [[legal]] recognition of psychotherapy possible. In 1960 the "Munich [[model]]" was instituted; this [[system]] involved the sharing of medical expenses

...ed was their own version of the old Oriental insight "ta twam atsi" ("thou art that")... This accepted wisdom - which, let me [[state]] it clearly, cannot It would be interesting to re-read, from this perspective, the [[model]] post-WWII Soviet textbooks on [[dialectical]] [[materialism]], Mark Rozen

* [[art]] 147 * [[self-model]] 214-216

...he [[fiction]], North Korea has built in front of this theater a fake, a [[model]] village with beautiful houses; in the evening, the lights in all the hous ...verybody which is different from the standard or hegemonic [[Anglo-Saxon]] model. Whatever you dislike about the latter, including the subaltern position it

...may not receive further elaboration and be transformed into a [[work]] of art, regardless of its specific [[nature]]. However, it is primarily Melanie [[ ...emains mysterious, to turn fantasies into a reality inscribed in a work of art and therefore something that can be shared with [[others]], that constitute

...rn can be characterized is as an over-proximity of the Real. In postmodern art (or postmodernism0 Zizek identifies various manifestations of this, such as ...ailure of reality (the Symbolic) to account fully for the Real. While this model of the structure of reality does not allow us a position from which to assu

...t rank of which would be language, marriage-rules, [[economic]] relations, art, science and [[religion]]. Lacan accepts almost without qualification the L ...n. He suggests that these two modes of symbolic representation provide a [[model]] for the [[understanding]] of [[psychic]] function. The concept of metapho

...[[theory]] to Shakespeare's [[texts]]: dream theory, the [[structural]] [[model]], [[incest]] [[fantasies]], [[primal]] [[scene]] fantasies, and the symbol ...nst [[Kris]]'s essay, "Prince Hal's Conflict" (Faber, 1970) has remained a model of sophistication. Integrating elements of the play's [[language]], charact

...e]] sexual investigation. Freud raised science to the level of a perfect [[model]] of the [[renunciation]] of the [[pleasure]] [[principle]]. ...cial]] science. Throughout his work he manifested this oscillation between art and science, which he discovered that he shared with [[Leonardo]] [[da Vinc

...], the [[repression]] of an [[infantile]] [[trauma]]. In most cases, the [[model]] used, at least implicitly, is based on the <i>Studies on [[Hysteria]]</i> ...ourage, and [[society]]. <i>The Cobweb</i> (Vincente Minelli, 1955) is the model for this type of exposition. In the film Richard Widmark, a psychoanalyst [

.../i>: "The violent primal father had doubtless been the feared and envied [[model]] of each one of the company of brothers: and in the act of devouring him t ...and Taboo," to constitute "the beginnings of religion, morals, society and art" (p. 156) and also "the nucleus of all neuroses" (p. 157). He was later led

...hools]] of psychiatry of the [[time]]. The [[French]] [[school]] was his [[model]] because of the high quality of its observation and because of its eleganc ...]] well beyond psychiatry. The spirit of the [[times]] saw [[links]] among art, [[madness]], and psychoanalysis. The dreams related by André [[Breton]] i

...etation]] explaining the relation of myth to [[history]], [[religion]] and art, and the problematic rapport between myth and [[belief]]. Mircea Eliade exa Lévi-Strauss bases his analysis of myth on the linguistic [[model]] set forth by such structural [[linguists]] as Roman [[Jakobson]], who in

...mples of this style of criticism (still in practice) refuse to subordinate art to neurosis and deploy the tools of psychoanalysis to explore precise terms ...ist," which he presented to Freud in 1905, Rank maintained his interest in art throughout his life. The Myth of the Birth of the Hero (1909)is a remarkabl

...ously industrial [[practice]], [[technology]], sociocultural artifact, and art. Attempts to combine auteurism with the theoretical rigor of [[structuralis ...unds the inability of classical film theory to suffice as an explanatory [[model]]. This, by implication, opened the door to the theorization of other kinds

...[[poststructuralism]] and [[deconstruction]] in the general conception of art-as-sign, here with an emphasis on the [[contingency]] and artificiality of ...age but to literature and other [[cultural]] practices as well (Aesthetic, Art).

...ework, the Hellenists held that classical [[religion]] and, significantly, art had their origins in primitive [[ritual]]. The [[civilized]] [[myth]] and [ ...advanced their arguments on the primitivist-ritualist [[nature]] of Greek art. Murray and Cornford in [[particular]] emphasized the ritual origins of Gre

...ise [[other]] ostensibly unrelated fields: [[religion]], [[anthropology]], art criticism, [[literary]] studies.

...roup's [[processes]] on the individuals who comprise it. There is also a [[model]] of group psychotherapy that seeks to treat the group as a specific [[whol ...idual]]; on [[speech]] or on nonverbal modes of expression (ergotherapies, art therapies, [[writing]], [[music]]); on psychodramatic [[role]]-playing or o

...How [[bungled]] our reproductions are, how wretchedly we dissect the great art works of psychic [[nature]]! Unfortunately this paper in turn is becoming t ...g [[money]] or uses the furniture as firewood to warm the studio for his [[model]]. Without a trace of that kind of unscrupulousness the job cannot be done"

* [[art]] * [[optical model]]

...usion, not as the necessary result of the system’s inner dynamics? The [[model]] is here, of course, the Fascist notion of [[social]] [[antagonisms]] as t These considerations enable us to define the art of a ''politics of [[Minimal Difference|minimal difference]]'': to be able

...[intersubjective]] [[complex]] thus described, we would willingly seek a [[model]] in the [[technique]] legendarily attributed to the oserich attempting to ...thout us [[seeing]] a thing? That would be the summit of the illusionist's art: through one of his fictive creations to truly delude us.<br><br>

...rial Room 3 at the [https://www.nida.edu.au National Institute of Dramatic Art (NIDA)], 215 Anzac Parade Kensington, NSW, Australia. ...m PsyUml] A comprehensive description of the Lacanian [[psychological]] [[model]] with the UML modeling language

...n more pointedly, such a search for the intruder who infected the original model and set in motionm its degeneration cannot but reproduce the logic of anti- ...heir rage and despair. In a total reversal (perversion even) of the Marx's model, the class struggle is thus reformulated as the struggle between the First

...[[Alienation]] · [[Analysand]] · [[Anxiety]] · ''[[Aphanisis]]'' · [[Art]] · [[Autonomous ego|Autonomous Ego]] · [[Special:Allpages/A|More]] ...urosis]] · [[Oedipus complex|Oedipus Complex]] · [[Optical model|Optical Model]] · [[Order]] · [[Other]] · [[Special:Allpages/O|More]]

...ty, terror, voluntarism, trust in the people - rooted in the statist-party model, relying on a revolutionary State, which exhausted its potential by the Cul ...intrusion, not as the necessary result of the system's inner dynamics? The model is here, of course, the Fascist notion of social antagonisms as the result

...lassique</i>, [[Paris]]: Plon 1961.</ref> On the other hand, the (later) [[model]] deployed in his <em>Discipline and Punish</em> and <em>History of Sexuali ...of mediatization: <ref>As to this ambiguity, see [[Paul]] Virilio, <i>The Art of the Motor</i>, Minneapolis: Minnesota University Press 1995.</ref> origi

...in them, it is not outside the living history as its exempted standard and model - the substance of religious life is the Christian community itself. Cathol ...loses his exceptional status: his very idealization, elevation to a noble model, reduces him to an ideal image, a figure to be imitated (all men should str

...p://gen.lib.rus.ec/book/index.php?md5=8454B4EB4D97BA9C6A51D32DC17348DD The Art of the Ridiculous Sublime: On David Lynch's Lost Highway] ...p://gen.lib.rus.ec/book/index.php?md5=B6A59F7182CA14A064E7CE1B4F360EBF The Art of the Ridiculous Sublime: On David Lynch's Lost Highway (Occasional Papers

...p://gen.lib.rus.ec/book/index.php?md5=8454B4EB4D97BA9C6A51D32DC17348DD The Art of the Ridiculous Sublime: On David Lynch's Lost Highway] ...p://gen.lib.rus.ec/book/index.php?md5=B6A59F7182CA14A064E7CE1B4F360EBF The Art of the Ridiculous Sublime: On David Lynch's Lost Highway (Occasional Papers

...Hegel, ''Douglas R. Anderson''<br /> 11. Aesthetics and the Philosophy of Art, 1840-1900, ''Gary Shapiro'' ...sm, ''Christopher Thornhill''<br /> 2. The Origins and Development of the Model of Early Critical Theory in the Work of Max Horkheimer, Erich Fromm, and He

...oo late]," he evidently was referring to some sort of origin, which is the model provided by the ancients. Medieval thinkers admired the masters of ancient ...nce, including with didactic intentions. We know that truly great works of art (Brecht, certain Chinese revolutionary operas, great Latin American novels,

...New Man 1923 El Lissitzky 1890-1941 Purchased 1976 http://www.tate.org.uk/art/work/P07147 ...name of the axiomatic; artistically, under the imperative of the fusion of art and life; sexually, as 'mad love'. Liberty, as the unlimited power of the n

...­tion of assert­ing the par­tic­u­lar iden­tity of White Men (as the model of oppres­sion of oth­ers), although it presents itself as the admis­sio

...tisan of the standard Marxist concrete historical analysis of the works of art in the style of Lukacs, the way he practices abstraction in his work cannot ...y ontological foundations of our being that it can be expressed only in an art form which destabilizes and denaturalizes the most elementary coordinates o

...and for himself, and thereby does away with himself. Cunning is the great art of inducing others to be as they are in and for themselves, and to bring th ...ice (against cheap lower-class trickery) at work here: for the sake of his art, Angier undergoes the terrible pain of drowning during each performance. Th

...he (often neglected) historical root of his thesis about the "end of art": art is no longer an adequate medium for expressing such a "prosaic" disenchante ...ng it as a mystified expression of the logic of capital and taking it as a model for the revolutionary process of emancipation. First, there is the dialecti

...imitate models which are, in a pure and distilled form, offered by popular art. Therefore, the ideological construct of the "big Ego" is in no way merely

...'deconstructionists'', the Hegelian "sublation [''Aufhebung"]" is the very model of how metaphysics, while acknowledging difference, dispersal, otherness, a ...: human Reason cannot be reduced to the result of evolutionary adaptation; art is not just a heightened procedure of providing sensual pleasures, but a me

* [[Books/Alain Badiou/The Concept Of Model]] * [[Books/Georg W F Hegel/Aesthetics Lectures On Fine Art]]