Seminar XI/Companion
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Seminar XI: Session-by-Session Companion
This page provides a chapter-by-chapter guide to Jacques Lacan's Seminar XI: The Four Fundamental Concepts of Psychoanalysis (1964). It integrates summaries and commentaries from the seminar itself and authoritative secondary texts found in Reading Seminar XI.
Excommunication (Chapter 1)
- Date: January 15, 1964
- Context: This session marks Lacan's move to the École Normale Supérieure following his "excommunication" from the International Psychoanalytical Association (IPA).
Key Themes
- The Change of Front: Lacan addresses a new audience, no longer composed solely of specialists, but including young students of philosophy and logic.[1]
- Legitimacy: Lacan questions what authorizes a psychoanalyst to practice and teach, distinguishing his "return to Freud" from the "obsessional ceremonies" of the IPA.[2]
- The Four Concepts: He announces the four concepts not as a synthesis, but as a way to illuminate the "abruptness of the real."[1]
Clinical Stakes
- The desire of the analyst is posited as the pivot of the cure, replacing the rigidity of institutional standards.[3]
The Unconscious and Repetition (Chapters 2–5)
Chapter 2: The Freudian Unconscious and Ours
- The Unconscious as Gap: Lacan rejects the unconscious as a reservoir or container. Instead, it is defined by "impediment, failure, split." It is a temporal pulsation that opens and closes.[2]
- Concept vs. Phenomenon: The unconscious is not a biological fact but a concept founded on the trail of the subject.[4]
Chapter 5: Tuché and Automaton
- Automaton: The return of signs; the network of signifiers; the insistence of the symbolic order (pleasure principle).[2]
- Tuché: The encounter with the Real; the "missed encounter" that lies behind the automaton. It is the trauma that resists symbolization.[5]
Of the Gaze as Objet Petit a (Chapters 6–9)
Chapter 6: The Split Between the Eye and the Gaze
- The Split: Vision is not a unified field. There is a split between the eye (the subject looking) and the gaze (the object from which I am looked at).[6]
- The Stain: The pre-existence of a "given-to-be-seen." The subject is determined by the gaze that is outside.[2]
Chapter 7: Anamorphosis
- The Ambassadors: Lacan analyzes Holbein's painting to demonstrate the annihilation of the subject. The skull, visible only from a specific angle, represents the subject as "nothing" (Néant).[7]
The Transference and the Drive (Chapters 10–15)
Chapter 13: The Deconstruction of the Drive
- Drive vs. Instinct: Lacan insists that Trieb (Drive) is a montage, not a biological instinct. It has no day or night, no rise or fall; it is a "constant force."[2]
- The Four Components: Thrust (Drang), Source (Quelle), Object (Objekt), Aim (Ziel).
- Satisfaction: The drive's aim is not to reach a goal (object) but to follow its path (circuit). Satisfaction is achieved by circling the object.[8]
Chapter 15: From Love to the Libido
- The Lamella: Lacan introduces the myth of the lamella to explain the libido as an "organ without a body." It represents pure, indestructible life subtracted from the living being by the cycle of sexed reproduction.[2]
- Relation to Death: Every drive is virtually a death drive because it pursues its own satisfaction beyond the pleasure principle.[9]
The Field of the Other and Back to the Transference (Chapters 16–19)
Chapter 16: The Subject and the Other: Alienation
- Alienation: The first operation of causation. The subject is constituted in the field of the Other but is condemned to a "lethal factor" (aphanisis).
- The Vel: A forced choice ("Your money or your life"). Choosing meaning leads to a loss of being (non-meaning); choosing being leads to the loss of both.[10]
Chapter 17: The Subject and the Other: Aphanisis
- Separation: The second operation. The subject separates by locating the desire of the Other in the intervals of discourse. The subject responds to the Other's lack with their own loss.[11]
To Conclude (Chapter 20)
Chapter 20: In You More Than You
- Desire of the Analyst: The analyst must occupy the place of the objet a to allow the analysand to separate from the ideal.
- End of Analysis: Analysis ends not with identification, but with the crossing of the fantasy and the destitution of the subject.[12]
References
- ↑ 1.0 1.1 Gallagher, C. "Lacan's Summary of Seminar XI." *The Letter*, p. 4.
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 Lacan, J. *The Four Fundamental Concepts of Psychoanalysis*, p. 3.
- ↑ Harari, R. *Lacan's Four Fundamental Concepts of Psychoanalysis*, p. 34.
- ↑ Miller, J.-A. "Context and Concepts." In *Reading Seminar XI*, p. 10.
- ↑ Fink, B. "The Real Cause of Repetition." In *Reading Seminar XI*, p. 225.
- ↑ Quinet, A. "The Gaze as an Object." In *Reading Seminar XI*, p. 139.
- ↑ Samuels, R. "Art and the Position of the Analyst." In *Reading Seminar XI*, p. 185.
- ↑ Brousse, M.-H. "The Drive (I)." In *Reading Seminar XI*, p. 112.
- ↑ Jaanus, M. "The Démontage of the Drive." In *Reading Seminar XI*, p. 131.
- ↑ Laurent, E. "Alienation and Separation (I)." In *Reading Seminar XI*, p. 25.
- ↑ Soler, C. "The Subject and the Other (II)." In *Reading Seminar XI*, p. 49.
- ↑ Dunand, A. "The End of Analysis (II)." In *Reading Seminar XI*, p. 255.
Seminar XI: Session-by-Session Companion
This companion provides a standardized, lesson-by-lesson scaffold for Jacques Lacan’s Seminar XI (The Four Fundamental Concepts of Psychoanalysis). It is designed to complement—not duplicate—the main article by (1) identifying each lesson’s key claims and concepts, (2) routing readers to dedicated concept pages, and (3) pointing to secondary commentaries in the attached corpus.[1][2][3][4]
How to use
- If you want a fast overview, read Jacques Lacan's Seminar XI first, then use this page to choose sessions by theme.
- If you want a study path, follow Parts I–V in order and open every linked concept page in a new tab.
- If you want clinical orientation, prioritize sessions with “Transference,” “Drive,” “Subject supposed to know,” and “Interpretation.”
Structure of the seminar (published parts)
- Part I: Excommunication (Lesson 1)
- Part II: The Unconscious and Repetition (Lessons 2–5)
- Part III: Of the Gaze as objet petit a (Lessons 6–9)
- Part IV: The Transference and the Drive (Lessons 10–15)
- Part V: The Field of the Other and back to the Transference (Lessons 16–19)
- To conclude (Lesson 20)
Part I: Excommunication
Lesson 1 — Excommunication
- Date
- (date not shown in attached extract)
- Session title
- Excommunication
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading (attached corpus)
- GALLAGHER (context/excommunication framing).[4]
Part II: The Unconscious and Repetition
Lesson 2 — 15 January 1964 — The Freudian Unconscious and Ours
- Key claims
- The unconscious is approached via discontinuity (“gap/obstacle/discovery/loss”).
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.2 (language/unconscious).[2]
- READING-XI (science/psychoanalysis; position of the unconscious).[3]
Lesson 3 — 22 January 1964 — Of the Subject of Certainty
- Key claims
- Ethical status of the unconscious; “certainty” and the subject.
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.2 (temporal pulsation/cause).[2]
Lesson 4 — 29 January 1964 — Of the Network of Signifiers
- Key claims
- Network of signifiers; subversion of the subject; introduction to repetition.
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.2–3 (cause; tuché).[2]
Lesson 5 — 5 February 1964 — Tuché and Automaton
- Key claims
- Repetition articulated via Tuché (encounter) and Automaton (return).
- Fort/da and the place of objet a (as treated here).
- Key concepts
- Clinical stakes
- See also
- Further reading
Part III: Of the Gaze as objet petit a
Lesson 6 — 12 February 1964 — The Split between the Eye and the Gaze
- Key claims
- Split between “eye” and Gaze; scopic object a.
- Key concepts
- Clinical stakes
- See also
- Further reading
Lesson 7 — 19 February 1964 — Anamorphosis
- Key claims
- Anamorphosis as a privileged articulation of the gaze/object.
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI Part IV (art/gaze essays).[3]
Lesson 8 — 26 February 1964 — The Line and Light
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI Part IV.[3]
Lesson 9 — 4 March 1964 — What Is a Picture?
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI Part IV.[3]
Part IV: The Transference and the Drive
Lesson 10 — 11 March 1964 — Presence of the Analyst
- Key claims
- The analyst’s “presence” as a function within the analytic situation.
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI Part III (transference).[3]
Lesson 11 — 15 April 1964 — Analysis and Truth or the Closure of the Unconscious
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.5–6 (transference I/II).[2]
Lesson 12 — 22 April 1964 — Sexuality in the Defiles of the Signifier
- Key claims
- The “reality of the unconscious is sexual” (as formulated here).
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.7–8 (drive).[2]
Lesson 13 — 29 April 1964 — The Deconstruction of the Drive
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI “Démontage of the drive.”[3]
Lesson 14 — 6 May 1964 — The Partial Drive and Its Circuit
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.8 (circuit/layout).[2]
Lesson 15 — 13 May 1964 — From Love to the Libido
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.5–6 (transference) + ch.7–8 (drive).[2]
Part V: The Field of the Other and back to the Transference
Lesson 16 — (extract date: 29 May 1964) — The Subject and the Other: Alienation
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
Lesson 17 — (extract date: 27 May 1964) — The Subject and the Other: Aphanisis
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- READING-XI “The Subject and the Other I/II.”[3]
Lesson 18 — 3 June 1964 — Of the Subject Who Is Supposed to Know…
- Key claims
- As soon as there is a Subject supposed to know, there is Transference.
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.10 (separation/interpretation).[2]
Lesson 19 — 10 June 1964 — From Interpretation to the Transference
- Key claims
- Key concepts
- Clinical stakes
- See also
- Further reading
- HARARI ch.10.[2]
To conclude
Lesson 20 — 17 June 1964 — In You More Than You
- Key claims
- “I love you, but … I love in you something more than you” (object a logic in the concluding formulation).
- Key concepts
- Clinical stakes
- See also
- Further reading
- LACAN-XI concluding lesson. [1]
Appendix: Closing date marker in the attached extract
- The attached LACAN-XI extract includes a standalone “24 June 1964” immediately before the Translator’s Note. [1]
References
- ↑ 1.0 1.1 1.2 Lacan, Jacques. The Seminar of Jacques Lacan, Book XI: The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques-Alain Miller. Translated by Alan Sheridan. New York: W.W. Norton, First American Edition 1978.
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 2.12 Harari, Roberto. Lacan’s Four Fundamental Concepts of Psychoanalysis: An Introduction. Translated by Judith Filc. New York: Other Press, 2004.
- ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 Feldstein, Richard; Fink, Bruce; Jaanus, Maire (eds.). Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis. Albany: State University of New York Press, 1995.
- ↑ 4.0 4.1 Gallagher, Cormac. “Lacan’s Summary of Seminar XI.” Lecture text (as provided in the attached transcript).