Difference between revisions of "Sign"

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{{Top}}[[signe]]{{Bottom}}
  
sign (signe)            Lacan defines the sign as that which 'represents something
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===Ferdinand de Saussure===
 
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[[Image:SAUSSUREANALGORITHM.gif|thumb|200px|right|The Saussurean Sign]]
for someone', in opposition to the SIGNIFIER, which is 'that which represents a
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According to [[Saussure]], the [[sign]] is the basic unit of [[language]]
 
 
subject for another signifier' (S11, 207). By engaging with the concept of the
 
 
 
sign, Lacan sets his work in close relation to the science of semiotics, which
 
 
 
has grown rapidly in the twentieth century. Two main lines of development
 
 
 
  can be discerned within semiotics: the European line associated with Ferdi-
 
 
 
nand de Saussure (which Saussure himself baptised with the name of 'semi-
 
 
 
ology'), and the North American line associated with Charles S. Peirce.
 
 
 
      l. According to Saussure, the sign is the basic unit of LANGUAGE (ÕQRguÄ).
 
 
 
The sign is constituted by two elements: a conceptual element (which Saussure
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
calls the signified), and a phonological element (called the signifier). The two
 
 
 
elements are linked by an arbitrary but unbreakable bond. Saussure repre-
 
 
 
sented the sign by means of a diagram (Figurel7; see Saussure, 1916: 114).
 
 
 
    In this diagram, the arrows represent the reciprocal implication inherent in
 
 
 
signification, and the line between the signified and the signifier represents
 
 
 
umon.
 
 
 
    Lacan takes up the Saussurean concept of the sign in his 'linguistic turn' in
 
 
 
psychoanalysis during the 1950s, but subjects it to several modifications.
 
 
 
Firstly, whereas Saussure posited the reciprocal implication between the
 
 
 
signifier and the signified (they are as mutually interdependent as two sides
 
 
 
of a sheet of paper), Lacan argues that the relation between signifier and
 
 
 
signified is extremely unstable (see suP). Secondly, Lacan asserts the exis-
 
 
 
tence of an order of 'pure signifiers', where signifiers exist prior to signifieds;
 
 
 
this order of purely logical structure is the unconscious. This amounts to a
 
 
 
destruction of Saussure's concept of the sign; for Lacan, a language is not
 
 
 
composed of signs but of signifiers.
 
 
 
    To illustrate the contrast between his own views and those of Saussure,
 
 
 
 
 
 
 
 
 
 
 
Lacan replaces Saussure's diagram of the sign with an algorithm (Figurel8)
 
 
 
which, Lacan argues, should be attributed to Saussure (and is thus                    now
 
 
 
sometimes referred to as the 'Saussurean algorithm'        - see E, 149).
 
 
 
    The S in Figure 18 stands for the signifier, and the s for the signified; the
 
 
 
position of the signified and the signifier is thus inverted, showing the primacy
 
 
 
of the signifier (which is capitalised, whereas the signifier is reduced to mere
 
 
 
lower-case italic). The arrows and the circle are abolished, representing the
 
 
 
absence of a stable or fixed relation between signifier and signified. The BAR
 
 
 
between the signifier and the signified          no longer represents union but the
 
 
 
resistance inherent in signification. For Lacan, this algorithm defines 'the
 
 
 
topography of the unconscious' (E, 163).
 
 
 
    2. According to Peirce, the sign is something which represents an object to
 
 
 
some interpretant (the term 'object' can mean, for Peirce, a physical thing, an
 
 
 
event,    an idea,  or another sign). Peirce divides signs into three classes:
 
 
 
'symbols', 'indices' and 'icons', which differ in the way they relate to the
 
 
 
object. The symbol has no 'natural' or necessary relationship to the object it
 
 
 
refers to, but is related to the object by a purely conventional rule. The INDEX
 
 
 
has an 'existential relation' to the object it represents (i.e. the index is always
 
 
 
spatially or temporally contiguous to the object). The icon represents an object
 
 
 
by exhibiting its form via similarity. Peirce's distinctions between icons,
 
 
 
indices and symbols are analytical and not intended to be mutually exclu-
 
 
 
sive. Hence a sign will almost always function in a variety of modes; personal
 
 
 
pronouns, for example,      are signs which function both [[Symbolic]]ally and
 
 
 
indexically (see Peirce, 1932: 156-73; Burks, 1949).
 
 
 
    Lacan takes up Peirce's concept of the index in order to distinguish between
 
 
 
the psychoanalytic and medical concepts of the symptom, and to distinguish
 
 
 
between (animal) codes and (human) languages. Lacan also develops the
 
 
 
concept of the index along the lines set down by Roman Jakobson in the
 
 
 
concept of the SHIFTER, to distinguish between the subject of the statement and
 
 
 
the subject of the enunciation.
 
 
 
 
 
 
 
 
 
 
 
  
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The [[sign]] is constituted by two elements:
 +
# the [[signified]], a [[conceptual]] element (or [[concept]]), and
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# the [[signifier]], a phonological element (or sound-[[image]]).
  
 +
The two elements are linked by an [[arbitrary]] but unbreakable bond.
  
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=====Saussurean Sign=====
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[[Saussure]] represented the [[sign]] by means of a diagram.<ref>[[Saussure|Saussure, Ferdinand de]]. (1916) ''[[Saussure|Course in General Linguistics]]'', ed. Charles Bally and Albert Sechehaye, trans. Wade Baskin, Glasgow: Collins Fontana. p.114</ref> In this diagram, the line between the [[signified]] and the [[signifier]] represents union, the reciprocal implication of the two elements.  ([[Saussure]] put the [[signifier]] and the [[signified]] in an ellipse which indicates [[structure|structural unity]] of the [[sign]].)
  
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=====Jacques Lacan=====
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[[Lacan]] takes up the [[Saussure]]an concept of the [[sign]] in his "[[linguistic]] turn" in [[psychoanalysis]] during the 1950s, but [[subjects]] it to several modifications. During the 1950s [[Lacan]] began to make us of [[Saussure]]'s [[concepts]] but adapted [[them]] in important ways.
  
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=====Relation between Signifier and Signified=====
 +
Firstly, whereas [[Saussure]] posited the reciprocal implication between [[signifier]] and [[signified]] (they are as mutually interdependent as two sides of a sheet of paper), [[Lacan]] argues that the relation between [[signifier]] and [[signified]] is extremely unstable.
  
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=====Primacy of the Signifier=====
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Secondly, [[Lacan]] asserts the [[existence]] of an order of "pure [[signifiers]]," where [[signifier]]s [[exist]] prior to [[signified]]s; this [[order]] of purely [[logical]] [[structure]] is the [[unconscious]]. This amounts to a [[destruction]] of [[Saussure]]'s concept of the [[sign]]; for [[Lacan]], a [[language]] is not composed of [[sign]]s but of [[signifier]]s.
  
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=====Saussurean algorithm=====
 +
[[Image:SAUSSUREANALGORITHM.gif|right|thumb|Saussurean algorithm|The Saussurean algorithm]] To illustrate the contrast between his own views and those of [[Saussure]], [[Lacan]] replaces [[Saussure]]'s diagram of the [[sign]] with an [[Saussurean algorithm|algorithm]] which, [[Lacan]] argues, should be attributed to [[Saussure]] -- and is thus now sometimes referred to as the "[[Saussure]]an algorithm."<ref>{{E}} p.149</ref> The '''S''' stands for the [[signifier]], and the '''s''' for the [[signified]]; the [[position]] of the [[signified]] and the [[signifier]] is thus inverted, showing the primacy of the [[signifier]] (which is capitalized, whereas the [[signifier]] is reduced to mere lower-[[case]] italic). The arrows and the circle are abolished, representing the [[absence]] of a [[stable]] or fixed relation between [[signifier]] and [[signified]]. The [[bar]] between the [[signifier]] and the [[signified]] no longer represents union but the [[resistance]] inherent in [[signification]]. For [[Lacan]], this [[algorithm]] defines "the [[topography]] of the [[unconscious]]."<ref>{{E}} p. 163</ref>
  
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==See Also==
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{{See}}
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* [[Enunciation]]
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* [[Index]]
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* [[Language]]
 +
||
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* [[Metaphor]]
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* [[Materialism]]
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* [[Signification]]
 +
||
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* [[Signified]]
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* [[Signifying Chain]]
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* [[Shifter]]
 +
||
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* [[Subject]]
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* [[Symbol]]
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* [[Symptom]]
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{{Also}}
  
 
== References ==
 
== References ==
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<div style="font-size:11px" class="references-small">
 
<references/>
 
<references/>
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</div>
  
[[Category:Lacan]]
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[[Category:Psychoanalysis]]
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[[Category:Jacques Lacan]]
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[[Category:Linguistics]]
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[[Category:Dictionary]]
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[[Category:Language]]
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[[Category:Symbolic]]
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[[Category:Concepts]]
 
[[Category:Terms]]
 
[[Category:Terms]]
[[Category:Concepts]]
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[[Category:OK]]
[[Category:Psychoanalysis]]
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Latest revision as of 23:10, 20 May 2019

French: [[signe]]

Ferdinand de Saussure

The Saussurean Sign

According to Saussure, the sign is the basic unit of language

The sign is constituted by two elements:

  1. the signified, a conceptual element (or concept), and
  2. the signifier, a phonological element (or sound-image).

The two elements are linked by an arbitrary but unbreakable bond.

Saussurean Sign

Saussure represented the sign by means of a diagram.[1] In this diagram, the line between the signified and the signifier represents union, the reciprocal implication of the two elements. (Saussure put the signifier and the signified in an ellipse which indicates structural unity of the sign.)

Jacques Lacan

Lacan takes up the Saussurean concept of the sign in his "linguistic turn" in psychoanalysis during the 1950s, but subjects it to several modifications. During the 1950s Lacan began to make us of Saussure's concepts but adapted them in important ways.

Relation between Signifier and Signified

Firstly, whereas Saussure posited the reciprocal implication between signifier and signified (they are as mutually interdependent as two sides of a sheet of paper), Lacan argues that the relation between signifier and signified is extremely unstable.

Primacy of the Signifier

Secondly, Lacan asserts the existence of an order of "pure signifiers," where signifiers exist prior to signifieds; this order of purely logical structure is the unconscious. This amounts to a destruction of Saussure's concept of the sign; for Lacan, a language is not composed of signs but of signifiers.

Saussurean algorithm
The Saussurean algorithm

To illustrate the contrast between his own views and those of Saussure, Lacan replaces Saussure's diagram of the sign with an algorithm which, Lacan argues, should be attributed to Saussure -- and is thus now sometimes referred to as the "Saussurean algorithm."[2] The S stands for the signifier, and the s for the signified; the position of the signified and the signifier is thus inverted, showing the primacy of the signifier (which is capitalized, whereas the signifier is reduced to mere lower-case italic). The arrows and the circle are abolished, representing the absence of a stable or fixed relation between signifier and signified. The bar between the signifier and the signified no longer represents union but the resistance inherent in signification. For Lacan, this algorithm defines "the topography of the unconscious."[3]

See Also

References

  1. Saussure, Ferdinand de. (1916) Course in General Linguistics, ed. Charles Bally and Albert Sechehaye, trans. Wade Baskin, Glasgow: Collins Fontana. p.114
  2. Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan. London: Tavistock Publications, 1977. p.149
  3. Lacan, Jacques. Écrits: A Selection. Trans. Alan Sheridan. London: Tavistock Publications, 1977. p. 163